Hoe zeg je “kom terug”? (How to say “come back“?) is a poetic documentary theater performance about the new, the old and the returning faces of the Rif (Morocco), the land of Hannah‘s ancestors. Which examines how the encroaching hospitality-industry is reshaping the region’s landscape and identity. The Rif is shown as a place-in-transit: between […]
We often speak of intergenerational trauma—but is there more? Why confine intergenerationality solely to trauma? If memories of pain are etched into our bodies across generations, could there also be intergenerational solace that is passed down? Can we tell stories of resilience and healing? Is one lifetime enough to become whole again? The answer is […]
Imprisoned Gods (MIUNGU GEREZANI) by Lukah explores ancestral African beliefs, focusing on the communities of Alkebulan, the continent’s ancient name. These rich spiritual traditions were disrupted by colonization and the advent of Christianity, leading to a dichotomy of good and evil and the loss of traditional values. Inspired by Nakomitunaka by Kiamwangana Verckys, the show […]
(out)Growing Pains is a performance about the remaining energy in the body after experiencing trauma. It is about awareness and the healing process as a continuous, cyclical journey.
A hip-hop ritual that creates space for the anger, fear, mourning, celebration and hope that comes with the loss of an old world and the welcoming of an unknown future. A bizarre musical mix of hip-hop mantras, slam choruses, screeching guitars, banging drums and freestyle prophecies.
