Ghent

WIPCOOP 2026: open call

The call for artists for WIPCOOP 2026 has officially open! Before you apply, read a little more about WIPCOOP here. And be sure to check out our mini-documentary WIPCOOP 2020 for a nice overview of how we work :-). HOW WE SELECT For whom? WIPCOOP focuses primarily on performing artists based in Brussels and Flanders […]

Hoe zeg je “kom terug”? – Hannah Jamin Zaouad

27/01/2027
@ Ghent

Hoe zeg je “kom terug”? (How to say “come back“?) is a poetic documentary theater performance about the new, the old and the returning faces of the Rif (Morocco), the land of Hannah‘s ancestors. Which examines how the encroaching hospitality-industry is reshaping the region’s landscape and identity. The Rif is shown as a place-in-transit: between […]

Bye bye 2025 – up next: 2026

After an amazing WIPCOOP series, we feel the party mood starting to take over. But not before looking back on the past year – and sharing with you the first steps towards 2026. Because January and February are all about residencies: MaPZimmer and Shared Research, Shared Practices. Retrospective: 2025 2025 was another top-notch edition, with […]

The red line

During the past WIPCOOP days, we drew a red line through four cities. Brussels, Leuven, Antwerp and Ghent colored equally red. We invited the audience to literally help draw the red line. Each city built on what the previous one had started, growing the line from one meter to dozens of meters. The red line […]

Photo album WIPCOOP Ghent 2025

This was WIPCOOP Ghent 2025 ⚡️⚡️⚡️ Last week, the time had come… the very last WIPCOOP of the season(sad!). This closing edition took place at CAMPO victoria, where Shivadas De Schrijver, Hannah Jamin Zaouad, Aday Morales and Aminata Soumaré shared their works in progress with us. The works were very diverse–poetic, vulnerable, theatrical, powerful–but they […]

WIPCOOP Gent: four makers in the spotlight with work in progress.

Dec. 4 during WIPCOOP Gent at CAMPO Victoria, Aday Morales, Aminata Soumaré, Shivadas De Schrijver and Hannah Jamin Zaouad will each show a Work in Progress of up to 30 minutes. Get ready for a day covering a wide range of themes including: relational and political power, dancing sounds and hushed rhythms, echoes of a […]

Hannah Jamin Zaouad

How to say “come back“? is a poetic documentary theater performance about the new, old and returning faces of the Rif (Morocco), the land of Hannah‘s ancestors. Which examines how the encroaching hospitality-industry is reshaping the region’s landscape and identity. The Rif is shown as a place-in-transit: between borders, between languages – Dutch, French, Spanish, […]

The world of Hilair – Hilair Francisco Libobu

26/10/2023 >> 08/09/2025
@ Amsterdam @ Antwerp @ Ghent

In a world where everyone has to keep up and everything is supposed to be perfect, it becomes increasingly difficult to be vulnerable. People struggling with mental challenges often go unheard or experience a high barrier to talking about them. The World of Hilair breaks the silence with a personal monologue on mental well-being, based […]

Shivadas De Schrijver

What happens when someone you put on a pedestal begins to dominate you? And what if it all explodes? So what do you carry with you – and what do you leave behind? Inspired by Shivadas’ childhood with a spiritual leader, in which devotion opened a door to manipulation, Ballast explores the impact of oppressive […]

Aminata Soumaré

VOI(X)E is a raw and intuïtive dance performance in which movement and sound dialogue with each other – breathing becomes groove, groove becomes voice and voice becomes rhythm. Four dancers – Aminata Soumaré, Abir Gharbi, Maïté Huizenga & Ines Mendoza – explore the fields of tension between chaos and calm, voice and body, rhythm and […]

Aday Morales

In Mencey Loco, Aday delves into the forgotten histories of his island, Tenerife. Inspired by La Cantata del Mencey Loco, the once-censored album by Los Sabandeños, he dances the story of the last revolt of the Guanches – the original inhabitants of the Canary Islands – against Spanish colonial rule. But the struggle is not […]

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