I’ll be there for you (for me) explores the Western culture of self versus our need for connection.
I’ll be there for you (for me) explores the Western culture of self versus our need for connection. Lorena Spindler confesses her ambiguity toward the prevailing system ( ka-pi-ta-lism), her desire to be part of it, her fear of getting out of it and the despondency it evokes, and invites performers to explore these contradictions.
KIDNAPPED is a work in progress for a speculative metaphor: in our illusory world of neoliberal “freedom,” we are all, in a sense, kidnapped.
In Retina Maneuver, Ping-Hsiang Wang explores how Taiwanese millennials’ perspectives on conscription and military violence have evolved over the past decade – all through a queer lens.
When “Girl on Fire” is no longer just a pop song but a marching tune for soldiers going to war, Ping-Hsiang Wang wonders, will his fragile memories then be destroyed by the fire of war? Retina Maneuver is a solo lecture-performance that springs from Ping’s inexplicable obsession with Alicia Keys’ pop song “Girl On Fire”