Last week a nice review of Marios Bellas and Four Walls appeared in the Theaterkrant, written by Pieter Verstraete. “Four Walls ” is a thunderous hip-hop ritual that starts from the beating of the chest by the audience and that shimmers through to the end. In a long-drawn-out scenic poem with a mix of musical […]
Great news from The Hague: dancer/movement and choreographer Melisa Diktaş is the winner of the BNG Dance Award 2025! On Thursday, April 17, this was announced in theater house Korzo, where the jury was deeply impressed by her solo Dat wat ontembaar is. As the winner, Melisa may tour eight Dutch theaters with her performance, […]
A rushed performance about caring “In a hectic, laboriously told performance, dancer Tamayo Okano wants to tell the audience something about caring. Care (Past/Present/Future) claims to be about how different generations of women care for others and, if possible, for themselves. What we get to see revolves mostly around an undigested mother-daughter bond, in which […]
Anna Karenina Lambrechts dances between proximity and boundaries In her solo From Gravity to Grace, Anna Karenina Lambrechts shows that she effortlessly touches audiences with her unique dance idiom: a powerful blend of krump, contemporary dance and both traditional and contemporary Filipino dance forms. “That is the hallmark and peculiarity of this performance: how the […]
‘Intellectual terror’ – Aïcha Mouhamou on Kidnapped by Rodrigo Batista and Mariana Senne. “I would like to see this much guts more often,” writes Aïcha Mouhamou in her review of Kidnapped, the performance by playwrights Rodrigo Batista and Mariana Senne. In her piece, titled Intellectual Terror, she praises Batista’s uncompromising and confrontational style: “The white […]
Every year we publish a magazine highlighting the WIPCOOP-artists of the past year (2023) as well as the performances that flowed from previous editions. Read the brand new booklet here!
