Every form of expression shares something so rich and universal: the desire to get through it, forge a bond or simply express ourselves and thus enter a heightened state of consciousness.
That’s what I call Moving Meditation.
What inspires you as an artist?
Philosophy inspires me. Those universal questions and concepts that we constantly ask ourselves as human beings, about our existence, our knowledge, values, minds and ways of being. In my opinion, these philosophies connect us to each other more than anything else. Our stories may be different, but they have one thing in common: the drive to understand our purpose and experiences.
How did your artistic journey go so far?
My course was a series of experiences and investigations, prompted by questions. Every time I dive into the studio, create or perform a new work, I ask a question or find an answer that leads to another question. This process has always given me a deeper understanding of myself as an artist, performer, choreographer and person.
What drove you to create Moving Meditations?
During my research, I took a closer look at the history of stepping and, most importantly, the genesis of this form of percussion. I noted that the genesis of stepping was very similar to that of other forms of percussion, such as Flamenco in Spain, the Haka in New Zealand, Gumboot in South Africa or even universally clapping our hands to celebrate something or shouting when we feel pain. Every form of expression shares something so rich and universal: the desire to get through it, forge a bond or simply express ourselves and thus enter a heightened state of consciousness. I call that “Moving Meditation.”
How do you differentiate yourself from other artists?
Because of my interest in multidisciplinary work, especially combining different styles, in addition to my research into the relationship between movement, sound and rhythm.
What is your favorite piece from the performance?
It is hard to choose one, I would say the energetic and interactive pieces are my two most favorite. As a body percussionist and dancer, there is no better feeling than sharing the stage with the other performers as we push each other, motivate each other and show our connection through our movements. Interactivity also breaks through the fourth wall, provides an immediate connection with the audience and really engages the audience on a deeper level.
If the sky’s the limit, who is on your favorite dream team for a creation?
My dream team would include big names in the history of African-American music and dance, including Katherine Dunham, Alvin Ailey and Ella Fitzgerald, to name a few.
